Turnover’s previous full-length, 2015’s Peripheral Vision, won acclaim for showcasing a dreamier side of the band’s melodically-charged sound; Billboard noted that “the quartet has morphed into a moody, atmospheric indie rock band, without losing its knack for hooks.” As easy as it might have been to replicate that success for its third album, the band resisted the urge to play it safe.
“It can be hard to be honest with yourself sometimes when it comes to creativity,” frontman Austin Getz admits. Excited by the opportunities for personal and creative growth the band experienced in the wake of Peripheral Vision, they worked hard to strike a balance for its follow-up, “writing good songs but pushing boundaries, without getting strange just for the sake of being strange.”
As the range of textures, tempos, and dynamics on Good Nature hints, the members of Turnover have been listening to a wider range of musical styles over the past couple years. Vintage Southern soul and blues, Bossa nova and cool jazz, electronic music, and psychedelic grooves all filtered into the mix.
To record Good Nature, Turnover reunited with longtime producer Will Yip. Together, they spent more time in the studio than on any previous Turnover record, devoting hours of pre-production to methodically going through the new songs, fine-tuning parts and writing additional melodies. The bulk of the lyrics, however, were finalised during the band’s 2016 European tour. “That was a beautiful atmosphere to be doing it in – and the most intense experience I’ve ever had as a writer.”
Eight years into their career, Turnover sound better than ever. Slip on your headphones, open up your ears, and learn for yourself what the excitement is all about.